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Check it Out: “Kierkegaard or Californication? (with David Duchovny)”

2024-07-02 00:56:34

<p>To be human is to fail – period. And not just to fail once, but to fail a lot. As the author Samuel Beckett said: “Fail again. Fail better.” This saying means a lot to me and my family – so much so that my daughter got a tattoo of it. Why are we, and so many others, so deeply concerned by failure? And if it’s something we all do so often, why are we so afraid of it – especially those of us here in win-at-all-costs America? In this podcast, I sit down with successful, thoughtful people like Ben Stiller, Bette Midler, Sean Penn and more to talk about failure – or what they labeled “failure,” but what was really an unparalleled opportunity for growth and revelation. I even want to delve into my own hardest moments, when I wrestled with setbacks, shame, and fear. We’ll still fail again. And again. But maybe if we fail better, we’ll feel better -- and maybe if we can all laugh together in failure, that's a start.</p>

2
Speaker 2
[00:00.72 - 00:19.10]

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[00:23.60 - 00:24.16]

Hey,

[00:26.92 - 00:45.32]

it's David. Fail Better is taking the week off. I'll talk to Fred Armisen next week. In the meantime, I wanted to share this interview I did with my friend Samantha Bee on her show Choice Words, also from Lemonada Media. She's got a couple of great episodes that are just out, including conversations with Taylor Tomlinson and Nick Kroll.

[00:46.00 - 00:58.42]

Oh, one other note. At the end of the interview, we talk about my movie, which is out now. It's based on my book, Bucky Fucking Dent, but we actually had to change the name of the movie to Reverse the Curse. So go check it out. Here's our conversation.

[00:58.82 - 01:02.02]

And that's Reverse the Curse, based on the book, Bucky Fucking Dent.

[01:08.60 - 01:11.22]

Hi. Hi. Long time.

1
Speaker 1
[01:11.38 - 01:13.06]

I know. It's so nice to see you.

2
Speaker 2
[01:13.54 - 01:26.58]

Nice to see you, too. You know, I want to tell you, we had lunch a number of years ago. And do you remember we met Steve Martin? Yes. Because you left early.

[01:26.98 - 01:35.40]

Well, you didn't leave early. You left, you know, as a normal person would. And I think I just stayed behind. And I don't know if I ever told you, but Steve Martin was like, you know, Samantha.

1
Speaker 1
[01:36.64 - 01:37.04]

What?

2
Speaker 2
[01:38.72 - 01:41.52]

He really wants to know you.

1
Speaker 1
[01:41.52 - 01:44.86]

I just had a minor heart attack.

2
Speaker 2
[01:45.56 - 01:47.78]

Exactly. I thought. I wanted to let you know.

1
Speaker 1
[01:48.04 - 01:49.02]

Well, thank you so much.

2
Speaker 2
[01:49.68 - 01:55.94]

He did not want to talk to me at all about anything. He just wanted to know that I knew Samantha B.

1
Speaker 1
[01:56.04 - 02:07.60]

What in the heavenly stars. I have to cut this piece out of whatever we put out, because I can't handle it. Compliments make me sweat. And that's because I'm Canadian.

2
Speaker 2
[02:08.26 - 02:09.42]

Is it the Canadian thing?

1
Speaker 1
[02:09.42 - 02:11.80]

I think it is. You're not allowed to accept them.

2
Speaker 2
[02:12.02 - 02:17.42]

Well, because, you know, as soon as you accept a compliment, you will be destroyed. The tall poppy syndrome.

1
Speaker 1
[02:17.68 - 02:36.36]

It's tall poppy syndrome. You can't ever do it. When you are Canadian and you buy something and someone goes, I love your Czech blazer. You have to go, I got it for $4.. I just want to let you know, I picked it up off the floor by a garbage bin and I washed it.

[02:37.56 - 02:48.50]

I was coming here today to my little setup and I was thinking about you and I was thinking, you know what is so funny? And I think that you will like what I'm about to say.

2
Speaker 2
[02:48.64 - 02:49.20]

Okay.

1
Speaker 1
[02:49.48 - 02:58.62]

Is that, even though you're a very famous actor, I primarily think of you as a writer. Does that feel?

2
Speaker 2
[02:59.08 - 02:59.96]

I like that.

1
Speaker 1
[03:00.36 - 03:08.20]

I thought so. Because I just feel like I've read all your books. Yeah. And they've been in my life. Yeah, but they're great.

[03:08.68 - 03:09.34]

You're a great writer.

2
Speaker 2
[03:09.60 - 03:15.06]

Thank you. And you were nice enough to blurb Truly Like Lightning for me, which was wonderful.

1
Speaker 1
[03:15.16 - 03:18.80]

It was a joy. Anyway, that's just a nugget.

2
Speaker 2
[03:19.82 - 03:32.78]

I probably think of myself that way. I wondered. That would have been, my dad was a writer. I don't know if you know that. he published his first novel when he was 75..

1
Speaker 1
[03:32.78 - 03:35.78]

I did know that. He was 75..

2
Speaker 2
[03:36.54 - 03:42.16]

Hot young writer and then he died. He died at 76.. But he got it out there.

1
Speaker 1
[03:42.72 - 03:46.16]

I checked that box. I had to do it. Now it's fine.

2
Speaker 2
[03:46.62 - 04:16.48]

He gave new meaning to checking the box. Yeah, he did. And he was, yeah, it was like part of my family's lore, because when my parents split up, the story that we were told, the story that my father was telling was that he had these three young kids in a small apartment in New York. I grew up on 11th Street and Second Avenue and I guess three bedroom, three kids, two adults, you know.

[04:19.30 - 04:34.12]

And my father said, you know, I don't have any piece to write. I'm going to. And how New York is this? How early 70s is this? He said he got himself a room at the Chelsea Hotel and he was going to live there for like three or four months.

[04:34.12 - 05:01.48]

And then, and if he, if he came out, if he came up with his novel and had it, then that would be something. But he, he couldn't do it with screaming me and screaming my sister and my brother. What the fuck he was doing. And but it was a lie, unfortunately, because he was actually leaving for someone else, which he said. finally, as he came back for his last suitcase, he said, I'm going elsewhere.

1
Speaker 1
[05:01.90 - 05:12.36]

He was like, actually, the whole part about finding myself was kind of made up. Like, I'm going to find myself like, well, with someone else.

2
Speaker 2
[05:12.60 - 05:16.78]

So that when he published his novel in 75 or like, oh, OK, you got it.

[05:18.56 - 05:24.76]

It was more. it was more than three or four months. But but she, but she did it. And, you know, I love, I love my dad. He's.

[05:24.76 - 05:44.94]

he was such a gentle, gentle, funny guy, you know, and to tell that story makes him seem like an asshole, which I'm sure that was. you know, that was. there was a bit of an asshole move there. But so difficult to do under any circumstances, who knows how to do it right. But, you know, I just want to end that story with saying, you know, I love him.

[05:45.84 - 05:47.84]

He was a beautiful man.

1
Speaker 1
[05:48.26 - 06:02.36]

We're all just a box of crayons. Just I don't know what I mean by that. We're just all many shades of our personalities, like across the board. Nobody is. I had this read this article recently.

[06:02.54 - 06:12.90]

We are going to talk about the substance of my podcast. We definitely are. But I was like reading about some person who's like very famous for dispensing advice in life.

2
Speaker 2
[06:12.90 - 06:13.72]

Yeah.

1
Speaker 1
[06:13.88 - 06:30.26]

And it's like so controversial because in there, they're just like a have a super fucked up personal life. And I was like, you know what? I don't know why people have to have heroes. Like. people can't be all things.

[06:30.50 - 06:44.16]

They can't be all the things you want them to be. And if you put too many eggs in the basket of someone else's personality, she's going to be disappointed every time. Like don't have heroes. What for?

2
Speaker 2
[06:44.70 - 06:51.98]

That's mature and very Canadian of you. I don't think it's. I don't think it's very American. Americans like their heroes, I think. I don't know.

[06:52.00 - 07:12.12]

I wish that they didn't as well. But I think that I mean, a character that I'm always fascinated by. in whatever I'm doing. I always seem to come back to the same kind of an archetype, which is like the bad priest. You know, he's, he's a great priest, but he's a bad man.

[07:12.16 - 07:29.18]

You know, right. Right. And that that contradiction that we see over and over in life, where people who are flawed are really able to help other people. And it could be because they are flawed and we can't have, you know, the hero. The hero has nothing for us.

[07:29.52 - 07:30.92]

You know, he can tell us nothing.

1
Speaker 1
[07:31.50 - 07:50.18]

You don't have to be magical in your life. Like you can't have. no one has everything together all the time. No one has has ever been all things to all people. It is literally like Mother Teresa was a flawed human being.

[07:50.34 - 07:51.72]

What are we doing?

2
Speaker 2
[07:52.44 - 08:03.74]

And kind of into into, like PR. I think Mother Teresa was kind of into PR. She liked her image and she kept it.

1
Speaker 1
[08:03.74 - 08:05.60]

She was fierce about it.

2
Speaker 2
[08:05.70 - 08:06.74]

So good for her.

1
Speaker 1
[08:07.66 - 08:10.00]

The original flawed person.

2
Speaker 2
[08:10.42 - 08:15.04]

She was. She was the original PR. Just a nightmare.

1
Speaker 1
[08:16.34 - 08:17.74]

She was a nightmare in the Hamptons.

2
Speaker 2
[08:17.76 - 08:19.68]

Have you seen Mother Teresa's rider?

1
Speaker 1
[08:21.52 - 08:30.02]

She makes us take all the color off the M&Ms. Just a big blank bowl of white M&Ms. It takes us all day to scrub them.

2
Speaker 2
[08:30.32 - 08:31.82]

That's right. We're going to hell.

1
Speaker 1
[08:32.94 - 08:39.06]

To hell. Okay. So, okay. My podcast is about choice. And I feel like we've already talked about some quality.

[08:39.74 - 08:44.38]

Yeah. Quality choices. Lay it on me. Are you like a good? Are you good at making?

[08:44.70 - 08:46.96]

No. Are you good at making decisions? Are you bad at it?

2
Speaker 2
[08:47.52 - 08:47.96]

Terrible.

1
Speaker 1
[08:48.20 - 08:50.52]

Are you? You dither forever?

2
Speaker 2
[08:51.48 - 08:59.56]

No. I simply make a choice that has nothing to do with my feelings or research. Oh my God. Because.

1
Speaker 1
[08:59.86 - 09:00.70]

What do you mean?

2
Speaker 2
[09:00.70 - 09:05.84]

Because I. Well, I read. When I was in high school, I was studying the existentialists.

1
Speaker 1
[09:06.16 - 09:06.42]

Okay.

2
Speaker 2
[09:07.10 - 09:08.72]

Sure. I went to collegiate.

1
Speaker 1
[09:09.06 - 09:09.40]

Okay.

2
Speaker 2
[09:09.88 - 09:10.98]

In your neighborhood there.

1
Speaker 1
[09:11.30 - 09:13.06]

In my. Which is now just condos.

2
Speaker 2
[09:13.06 - 09:17.42]

Used to be in the neighborhood. Yeah, I know. Well, they kicked them out of the school. They did. And I had to move.

[09:17.60 - 09:23.26]

So sad. I know. So sad. And studied Kierkegaard. And Kierkegaard had this.

[09:24.10 - 09:31.64]

I'll never forget it. He said, the moment of decision is madness. Oh. And I've always felt like. Absolutely.

[09:31.90 - 09:38.16]

Like, here comes the waiter. I've got my menu. Oh, fuck me. You know, I don't know. I'll just have that.

[09:38.24 - 09:43.60]

Do you really want that? I don't. I don't know. I don't know if I really want it. So, I guess I go with my gut.

[09:43.72 - 09:54.84]

I guess maybe a positive spin on that would be. I'm just kind of instinctually getting my way through life. Generally, I just do things. Like, if you're talking about choices of like. Mm-hmm.

[09:55.28 - 10:08.48]

Acting roles and things like that. I generally just do what comes my way. If I'm free or whatever. I generally think. I don't have the wherewithal to figure out whether this thing is going to be.

[10:08.48 - 10:17.94]

Right. Great or not. Because that never really pans out in my life. It's always like. I'm always surprised at what turns out good and what turns out bad.

[10:18.10 - 10:27.48]

So, if there's something calling to me. It could be anything. Could be something shitty as money or whatever. But if there's something calling to me. Then I'll just make a decision.

[10:27.58 - 10:28.88]

It doesn't have to be all the things.

1
Speaker 1
[10:29.24 - 10:37.44]

You just do it. So, like. Are you a perpetual. I have to go back to a restaurant menu right now. Are you a perpetual bad orderer?

[10:37.66 - 10:44.12]

I think that's funny. When people are just like. I always get the wrong thing. Because I just impulsively go. Sweetbreads.

[10:44.18 - 10:44.66]

I don't know.

2
Speaker 2
[10:46.10 - 10:51.48]

Sweetbreads. No, because. I mean, if we want to stick with the restaurant thing. I'm a pretty.

[10:53.34 - 10:57.46]

What's the word? Boring eater. Okay. I'm not. I'm not really into food.

[10:57.70 - 10:59.44]

I mean. Okay. People look at me like.

[11:01.02 - 11:09.32]

I'm a pervert when I say that. Like what? Yeah, exactly. What's wrong with your humanity? I think.

[11:09.42 - 11:14.08]

I don't know. It's just fools. Food. Food has always been fuel to me. I think.

[11:14.22 - 11:15.10]

And that's it really.

[11:16.66 - 11:20.76]

So, even if I made a bad order. I wouldn't care. I'd be like. Yeah, fine. I'll eat that.

1
Speaker 1
[11:21.08 - 11:23.38]

Right. This is just grain. These are grains.

2
Speaker 2
[11:24.04 - 11:26.56]

I'm just at the pump. I'm just at the pump right now.

1
Speaker 1
[11:27.18 - 11:30.14]

Just strap on the food bag. I don't care. Is it oats? I am.

2
Speaker 2
[11:30.18 - 11:31.50]

I don't know. I'm like a horse.

1
Speaker 1
[11:31.86 - 11:32.90]

It all tastes medium.

2
Speaker 2
[11:33.06 - 11:35.84]

Or a pig. Just shovel it in here. If nobody minds.

1
Speaker 1
[11:36.14 - 11:38.22]

Eat the scraps. I'll just eat the rinds.

2
Speaker 2
[11:38.22 - 11:39.36]

I will eat the scraps.

1
Speaker 1
[11:39.58 - 11:42.04]

I'll just eat the corn cobs without the kernels.

2
Speaker 2
[11:42.28 - 11:49.80]

My girlfriend is, so. She's always making fun of me. because I will not heat anything up. Like. I will.

[11:49.80 - 11:58.04]

I will eat the spaghetti in the shape of a rectangle. Because that's the Tupperware that was in. You know. And it kind of.

1
Speaker 1
[11:59.62 - 12:05.34]

You know what. She's right to make fun of you. She's not wrong. That's pretty funny.

2
Speaker 2
[12:05.72 - 12:16.22]

I remember when I was a kid. We'd get Chinese takeout from Jade Mountain on 12th Street and 2nd Avenue. I'm not giving a plug because I can't be there anymore. I'd just be totally surprised if they were. But Jade Mountain.

[12:16.44 - 12:27.92]

That was our. We could eat out. And we'd get sweet and sour pork. And the day after it had been in that takeout. And you'd put it.

[12:28.74 - 12:36.48]

Turn it over and it would come out. Still have the shape of the container. I would eat that. I would eat that. I would eat the shape of the container.

[12:36.84 - 12:37.30]

The orange.

1
Speaker 1
[12:37.94 - 12:41.80]

I just get a fork and knife. And I start with a corner. A corner piece.

2
Speaker 2
[12:42.12 - 12:47.46]

I just make. I make do. It starts to melt. Ultimately as I'm eating it. Which is okay.

1
Speaker 1
[12:47.46 - 12:53.00]

The congeal just releases a little bit. And then you're like oh, now it looks like. It doesn't matter.

2
Speaker 2
[12:53.24 - 12:53.36]

The aspic.

1
Speaker 1
[12:53.66 - 12:56.22]

It's just going down the hatch. You're like down the hatch.

2
Speaker 2
[12:56.38 - 12:57.88]

It's all going in the same place.

1
Speaker 1
[12:58.06 - 12:59.32]

See in three minutes.

2
Speaker 2
[12:59.58 - 13:04.44]

My stomach doesn't care if it's heated up or not. It just says give me fuel.

1
Speaker 1
[13:05.38 - 13:07.90]

We'll be right back with David Duchovny after this.

2
Speaker 2
[13:19.20 - 13:31.62]

This show is sponsored by BetterHelp. Life can be pretty chaotic. One thing that keeps me grounded is therapy. It's been a key part of my routine. Helping me manage the roller coaster of daily life.

[13:32.06 - 13:41.44]

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[13:41.80 - 13:56.34]

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[14:20.42 - 14:40.50]

The way we approach learning with our kids is crucial to their well-being. Each kid has a unique learning style. Whether they need a boost in a subject or aren't being challenged enough in another. They deserve a customized educational approach. iExcel Learning is an online program covering math, language arts, science, and social studies.

[14:40.50 - 14:59.60]

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[14:59.80 - 15:20.76]

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[15:21.82 - 15:25.78]

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[15:46.02 - 15:59.52]

If you know me, you know that I am constantly traveling. I was just in Greece for a shoot and I had an amazing time. But when I came back to the U.S. I was already getting ready for my next trip. To be honest, I don't think I even unpacked my bag fully.

[16:00.48 - 16:24.32]

One thing about traveling that's not so fun, besides having to squeeze everything into your suitcase, is how often it means leaving your home sitting there underutilized while you're gone. And if you can relate to any of this, then you should definitely think about becoming a host on Airbnb. You've probably heard of Airbnb before. I love them. No matter what kind of trip I'm taking or what kind of stay I'm looking for, Airbnb has the perfect place.

[16:25.00 - 16:46.70]

And now you can become an Airbnb host yourself. Instead of leaving your home underused while you're on your next vacation, Airbnb can help you get the most out of your space. It's a fantastic way to earn some extra cash, which, by the way, you can then put towards your next vacation. And don't worry if you think your place might not be perfect. Travelers are often looking for cozy, comfortable places that offer a local touch.

[16:47.26 - 17:00.78]

Plus, if you're concerned about the time commitment, start small. List your home for just a few weekends and see how it goes. Your home might be worth more than you think. Find out how much at airbnb.com slash host.

1
Speaker 1
[17:11.04 - 17:25.60]

Is there something that you can look at like that, you know, that even a very impulsive choice that you made in your life, that you think just like, really significantly changed it, even if it's a small thing, even if it's something small?

2
Speaker 2
[17:26.56 - 17:43.96]

Oh, well, I'm looking at a guitar across the room here. And what I did was I wanted to learn how to play guitar. And I was shooting Californication at the time. So I'm being half my mother and half my father. I'm always looking for a bit of an angle.

[17:44.34 - 17:59.66]

And I thought, OK, I want my character to learn how to play guitar. And therefore, David will have to get lessons. So that's what I did. I probably should have said I want my character to have a private plane or something like that. But I just thought, guitar.

[18:01.22 - 18:33.42]

And so I started taking lessons while I was doing the show. And then I went and I bought what I thought was a very expensive guitar. Now, I know guitars get super expensive. And this was a $3,000 guitar, which I thought was a lot of money for a beginner. And the reason I did that, the reason I made that choice, was because I knew, again, going back to my upbringing, that if I spent that kind of money on a guitar and I did not play it, my self-loathing would be so great that I wouldn't be able to handle it.

[18:33.74 - 18:46.54]

So I knew I would practice on a $3,000 guitar. Counterintuitively, I'd get a cheap guitar at first, because who cares? But for me, it was like, again, an expensive guitar, you'll feel so guilty looking at it in the corner. You'll play a lot.

1
Speaker 1
[18:46.72 - 18:54.36]

Can I tell you a secret that I've never told? I don't think I've ever told anyone this. I do the exact same thing. You do? I do.

[18:54.54 - 19:04.76]

Not with guitars. I, when I was growing up, did not learn how to ride a bike. I was an only child. In a metropolitan Toronto. Lived in an apartment.

[19:05.04 - 19:23.14]

We didn't have, like, it wasn't, like, nobody I knew was riding bikes. We were just, like, walking and going to the mall and, like, being bad. You know, in different ways. It wasn't, like, outdoorsy, let's all get on our bikes and be a gang. We were just, like, metropolitan children without bikes.

[19:23.86 - 19:28.62]

And I was so embarrassed by this. I was, like, as an adult in college.

2
Speaker 2
[19:28.90 - 19:30.66]

You harbored this secret.

1
Speaker 1
[19:31.02 - 19:37.68]

A secret. I was ashamed. And I definitely pretended that I knew how to ride a bike. How do you do that? I was like, I don't feel like biking today.

[19:38.32 - 19:41.64]

Like, oh, sure. And so I did the exact.

2
Speaker 2
[19:41.90 - 19:45.32]

Oh, she's watching the Tour de France. She loves it. She loves the Tour de France.

1
Speaker 1
[19:45.40 - 19:48.92]

She loves cycling. I probably had cycling shorts, but just didn't.

[19:50.56 - 20:03.00]

So I went out. I was like, fuck this. This is embarrassing. I bought myself a bike for $800, which was so much money for me when I was 18, 19..

2
Speaker 2
[20:03.00 - 20:08.30]

Were you making, did you spend that money? because you thought, as I thought, was it the same kind of thinking?

1
Speaker 1
[20:08.62 - 20:24.10]

Exactly, precisely the same. I was like, I can't. I don't want to. First, I don't want to be on an embarrassing bike. And secondly, I will only learn how to do this if it is so, if it fills me with self-loathing that I spent this much money on something and never used it.

[20:24.34 - 20:34.44]

And I bought that stupid, expensive bike. And I went to parking lots at 5 o'clock in the morning every day until I really learned how to ride it. And then I rode it forever. And I still ride bikes.

2
Speaker 2
[20:34.44 - 20:41.28]

So you were falling down in some random parking lot, just falling and falling? Or did you put training wheels on?

1
Speaker 1
[20:41.60 - 20:50.20]

No, I didn't. I think I just went. I was old enough to go. I was old enough to think. I think that the trick is I have to learn how to balance.

[20:50.72 - 21:09.30]

And I just have to understand balance. And so I actually didn't really fall over, because I just understood the mechanics of it in an adult way. And I just went, I think I can do this. And I taught myself. And then I got quite proficient and then biked everywhere.

[21:09.78 - 21:18.92]

But it was that same impulse of like, this will be so awful. Having that guitar, just like mocking you from across the room.

2
Speaker 2
[21:19.06 - 21:25.02]

The guitar saying, I'm such a beautiful guitar. And you, look at you. You. You won't even touch me. You won't even touch me.

1
Speaker 1
[21:25.42 - 21:30.92]

You don't deserve me. No, you're touring. You play like crazy.

2
Speaker 2
[21:30.92 - 21:34.16]

Yeah, that guitar. I still have that guitar. Sure.

1
Speaker 1
[21:34.50 - 21:35.26]

That's amazing.

2
Speaker 2
[21:35.48 - 21:39.50]

But I think. Do you enjoy biking now? Do you enjoy it?

1
Speaker 1
[21:39.78 - 21:42.64]

Yeah, I do. You do? It's very natural. It's very.

2
Speaker 2
[21:43.06 - 21:47.30]

I love it. Did you or your husband teach your kids how to ride the bike? There's the question.

1
Speaker 1
[21:47.94 - 21:58.36]

We just had more. Like we had a life that supported bike riding. Do you know what I mean? Like? we went to vacation with our friends and their kids were on bikes.

[21:58.36 - 22:04.62]

So they didn't need us to go. And now is the time that we learn bicycles.

2
Speaker 2
[22:04.96 - 22:15.30]

I had. Oh, I had, funny times with both my kids, with bicycles. Yeah. Yeah. The first one, my daughter.

[22:15.92 - 22:22.98]

You know, we raised them in Malibu early on. And so, do you know, Pepperdine? You know that huge.

1
Speaker 1
[22:23.08 - 22:23.92]

Oh, it's so beautiful.

2
Speaker 2
[22:24.26 - 22:31.06]

That big lawn. Yeah. So I got into my head like teach them on the downhill, because then you don't have to.

1
Speaker 1
[22:31.52 - 22:32.86]

Oh, where the highway is at the bottom.

2
Speaker 2
[22:33.12 - 22:33.46]

That's.

1
Speaker 1
[22:34.28 - 22:35.18]

Oh. Oh.

2
Speaker 2
[22:35.18 - 22:44.76]

I realized that about five seconds too late. You know, it's like she's riding. She's riding right into traffic, you know. I kind of. I kind of.

[22:44.84 - 22:50.92]

Yeah. She was smarter than me, though. And she was able to. I don't know if she broke or if she just took a knee, you know.

1
Speaker 1
[22:50.94 - 22:52.30]

She probably took a knee. She was like.

2
Speaker 2
[22:52.48 - 22:55.36]

I feel that. I feel safe with you, dad.

1
Speaker 1
[22:56.22 - 23:04.70]

This is very bad advice. And that was when she first looked at you and went. Oh, you have. Hmm. You know, when your children look at you and go.

[23:04.90 - 23:05.72]

You're just a person. Oh, you're flawed.

2
Speaker 2
[23:06.20 - 23:07.12]

You're just a person.

1
Speaker 1
[23:07.44 - 23:11.52]

You're just a regular old. You don't have all the answers, do you? You tricked me.

2
Speaker 2
[23:12.02 - 23:23.00]

Yeah. And my son, he was doing the scooter everywhere. Not in Malibu, but in the summer place. And it was, it was bothering me. Okay.

[23:23.00 - 23:27.28]

Because I want, you know, it's just, I don't know. This is, again, my problem.

[23:29.22 - 23:41.72]

But, you know, it's like, you know, you get, you're older. You learn how. Bike is so much better, so much faster. You'll be so much happier. And I finally got him out on the lawn and I, and I finally got him up on the bike and he started tooling around.

[23:41.86 - 23:48.36]

And then he said to me, and this is such a great line for my son. He goes, I guess the scooter is out of the picture.

1
Speaker 1
[23:52.56 - 23:56.86]

Like only a seven-year-old, can scooters out of the picture.

2
Speaker 2
[23:57.14 - 23:57.52]

Father.

1
Speaker 1
[23:59.44 - 24:03.94]

And you're like, you're going to be fine in life. You got this.

2
Speaker 2
[24:04.76 - 24:06.70]

If you can speak like that.

1
Speaker 1
[24:06.80 - 24:19.42]

Yeah. I love that. You know, I talked to a bunch of people recently who were like child actors, you know, and I think your daughter, you know, your daughter's an actor.

2
Speaker 2
[24:19.92 - 24:24.68]

She is. Yeah. But not a child actor. She started when she was about 19 or 20.. Okay.

1
Speaker 1
[24:24.98 - 24:31.70]

Okay. And like, it's, it's, it's funny to me. It's always funny to me when people know what they want to do.

2
Speaker 2
[24:31.72 - 24:32.20]

Yeah.

1
Speaker 1
[24:32.50 - 24:40.92]

Like so early in life. Cause I was so lost for so long, but you were, you were in the PhD program at Yale.

2
Speaker 2
[24:41.28 - 24:59.88]

Well, this, I mean, if we're, if we're hewing closely to your format and, and with your original question about how do I make decisions? Well, look, I have never made a decision. I, I never, I, I think they still think I'm in graduate school at Yale. I never, I never. actually, I think they're waiting on finish.

[25:00.04 - 25:15.12]

They're waiting for me to show up and teach that class. So I, I didn't know what to do. I thought I was going to be, I was in graduate school cause I thought it was going to afford me. If I could get a tenured position, I could then write. I could write in the summertime.

[25:15.42 - 25:34.70]

You know, it seemed like a doable life and achievable kind of a scheduled life. And, but then at some point, like 23,, 24 years old, I was just like, I can't, I got, I gotta get out of school. I mean, I just been in school my whole life. And then I started to look at acting, and I never really made the decision to be an actor. Just started writing.

[25:34.82 - 25:55.76]

I'm not writing, but working. Yeah. And, and the reason I got into acting was cause I wanted to write and I thought I should write plays and therefore see what it's like to say those words. So it was all like never a decision. And you know, talking about my, my daughter, I think she, she actually is much more focused than either of her parents ever were.

[25:56.00 - 26:09.28]

Both Tay and I were not, we're not laser focused on acting as like that's our calling at all. It was just like, we kind of fell into it. I fell into it. She fell into it. But with my daughter West, she loves it more than I ever loved it.

[26:10.04 - 26:10.04]

Yeah.

1
Speaker 1
[26:10.22 - 26:12.36]

Did you take her on set and stuff?

2
Speaker 2
[26:12.36 - 26:27.60]

Like. did she see it or she was just like, I'm sure I did, but it was not something, it's just, it's not something we were pushing. Yeah, it is in her. Yeah. And she, and she's also very different from a performance wise, both, both me and her mom.

[26:27.84 - 26:34.98]

So I'm happy that you're, you wouldn't think of either of us if you saw her, you know, she's her own, she's her own thing.

1
Speaker 1
[26:35.14 - 26:39.52]

I think it's so cool when our children are just so much better than us.

2
Speaker 2
[26:40.38 - 26:52.60]

It's like the goal. It's just like, how did you do that? I saw her first play and I was like, cause. she said she, she was, it was hard for her to like. come out to us as an actor, you know?

1
Speaker 1
[26:52.64 - 26:56.50]

Really? Why did you think that you would, why did she think you would resist?

2
Speaker 2
[26:56.76 - 27:08.50]

Cause we, neither of us, neither of her parents, are like, hi diddly dee, an actor's life for me. You know, we're not, and we're not like. we don't love Hollywood and whatever, whatever. Yeah.

[27:10.04 - 27:30.14]

And, um, so she had reservations about it, but we went to see this, this play she did like in high school. And I remember just turning a tank and going, wow, she's like, she's way, she's like, I had to work so hard to get that natural, you know, like I had to work so hard to get as relaxed. So how come she, why is she so fucking relaxed up there?

1
Speaker 1
[27:30.14 - 27:31.30]

I don't understand it.

[27:33.02 - 27:46.22]

Oh, my God. That's great. I was say to people, I'm sure people ask you this all the time. They're like, did she, you know, did she saw your glamorous life and she was like, I want that. I'm like, no.

[27:46.56 - 27:50.76]

And it's not, it's not glamorous. It's not like. we make it look good.

2
Speaker 2
[27:51.20 - 28:20.30]

No, I would always talk up and here's, here's talking about my podcast. I would always talk about my failures. You know, I, I, I wanted my kids and I don't know if it had any effect, but I wanted them to know I was always miserable. I made, I made that, none of this, you know, this, if you looked at it from the outside, or their friends were saying, Oh man, your life must be amazing or whatever. It's not, it never is.

[28:20.36 - 28:29.60]

If you're involved in a creative existence, it's always going to be something is amiss. You know, you'll have moments of,

1
Speaker 1
[28:30.66 - 28:44.60]

you'll have moments of when you, everything's clicking, but for the short, they're short and you have to like, hold onto the victories because the failures are so constant.

2
Speaker 2
[28:46.42 - 29:13.24]

Yeah. But, but you know, if we can, and again, that's kind of what I'm doing on the podcast is like, we can embrace that in each other. And you know, what I, what I, what I have felt and you know, I know you're coming from this world too, is like to watch what's happened politically in this country over the last eight years. And to watch a man who is basing his entire.

[29:15.74 - 29:33.30]

campaign on a refusal to lose, a refusal to admit a failure. And that there is something in this country that says, fuck yeah. Like never admit defeat, never admit defeat. And I'm always like, admit defeat. It's the sweetest thing.

[29:33.96 - 29:42.36]

It's the sweetest thing. It's real. And it's human. Yes, exactly. So I'm kind of, I kind of been thinking about those things recently.

[29:42.50 - 29:49.22]

And you know, obviously through parenting, you know, taking your kids through ups and downs, it's, it's all very relevant.

1
Speaker 1
[29:49.86 - 29:58.42]

Did your children hear the message that failure is very, failure is very important in building character?

2
Speaker 2
[29:59.38 - 30:24.26]

Yeah. I mean, I hope so. I mean, unfortunately, if I say it, it doesn't go in, you know, it's something they, they have to learn it for themselves, you know, right. And they have to fail themselves. And that's the hardest thing as a parent is to, to not go, you know, like as they're falling, you know, not break their fall.

[30:24.72 - 30:29.00]

Yes. Okay. Break their falls. They're going to get hurt, but not break their fall.

1
Speaker 1
[30:29.54 - 30:37.60]

Like intervene if they're going down the lawn at Pepperdine, if they try to get in front of the bike, but that's high stakes.

2
Speaker 2
[30:38.54 - 30:41.48]

Exactly. If it's just falling on the bike on a lawn,

[30:43.48 - 30:45.12]

they got to do it. They got to do it.

1
Speaker 1
[30:45.12 - 31:10.90]

Got to do it. Did you, have you always been into, I am also, I share your intrigue. I love to hear about people when people are, have been, I love to hear about like occasions when people have been presenting a very happy self, but inside there was a lot of turmoil. It makes me feel better about all the times that I've experienced that where you were like, it's great. And inside you're like, I'm dead.

2
Speaker 2
[31:12.38 - 31:15.34]

Yeah. I don't, I don't know what it is. I mean, you know,

[31:17.18 - 31:32.48]

it's a mystery, right? I mean, some. it's, it's your soul or whatever, or pre-conscious, unconscious crap that has happened, or who knows past lives, genetic suffering. I don't know. There's a million ways to look at it.

[31:32.48 - 31:57.76]

Now we keep on looking at different ways for why some people might be melancholy and others are not. And the majority of people are, I feel, have melancholy in them. And I, I, I just, you know, back in Elizabethan times they had the humors, right? Like you were, you were bilious, they had too much bile or you were too much liver to, you know, and there were, it was like a psychology and there was a lot of melancholy.

1
Speaker 1
[31:58.02 - 32:08.06]

And all. you just apply some leeches to the forehead and that cured it obviously. And then you would die at 35..

2
Speaker 2
[32:10.40 - 32:22.70]

Exactly. There was a lot, there was a lot to be melancholic about back then. You only had a few years and there was the, and there's the plague and no one's bathing. And can you imagine the smells back then?

1
Speaker 1
[32:22.90 - 32:37.56]

The smells. What constituted like everything, smelled bad. Therefore, what smelled really bad. Like if you lived in Elizabethan times and you were like, that stinks. I wonder how bad it had to be.

2
Speaker 2
[32:39.52 - 32:50.14]

And I think they all shaved their heads because of lice and they wore these nasty old wigs that would of course get head sweat all over the, we don't need to go here.

1
Speaker 1
[32:50.86 - 32:54.86]

We know we do because there was a lice outbreak at my kids public school.

2
Speaker 2
[32:54.92 - 32:55.80]

Oh, there was. Yeah.

1
Speaker 1
[32:55.92 - 33:16.54]

And I was thought about Elizabethan times and how they would put honey at like along the wig line or at their waist to catch the bugs. Like a sticky, like sticky fly tape, so that the lice wouldn't crawl down across their face when they were talking, chit chatting.

2
Speaker 2
[33:17.40 - 33:20.28]

And that at the waist is for the pubes? Is that what you're saying?

1
Speaker 1
[33:20.74 - 33:34.38]

I guess, so. I don't know if any of this is true. I may be spreading misinformation about the clean, fresh people of the Elizabethan era, but I think they put sticky stuff around just to avoid, like just to trap.

2
Speaker 2
[33:35.40 - 33:47.28]

I can give you a few lines of Robbie Burns to allow us the, you know, he's, he's my mother being Scottish. How we sleek it. timidest beastie. What a panics in they breech. No, that's to a mouse.

[33:47.82 - 33:55.24]

Hi, this is to allow us. How, where are you going? You're cowering fairly. Your impudence protects you, sadly. I kind of say, but just rarely.

[33:55.24 - 33:58.40]

or a gauze and lace of fine Miss Leonardi's bonnet.

1
Speaker 1
[33:59.12 - 34:00.98]

Oh, my God. Well,

2
Speaker 2
[34:03.06 - 34:04.32]

it's a panty peeler.

1
Speaker 1
[34:04.82 - 34:08.96]

I love it. I love it. Panty peeler.

2
Speaker 2
[34:10.32 - 34:16.46]

That's going back to my California occasion days. I never knew that line, but Hank Moody liked to say that.

1
Speaker 1
[34:18.00 - 34:27.22]

Pretty poetry about lice is a panty, a panty upper. It keeps your, you know, to keep them on and make them bigger.

2
Speaker 2
[34:27.22 - 34:28.54]

It's a panty sealer.

1
Speaker 1
[34:32.16 - 34:36.06]

Hold that thought more with David Duchovny after one more break.

2
Speaker 2
[34:47.16 - 35:08.68]

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1
Speaker 1
[36:55.36 - 37:06.16]

So what was the inciting when you were approached to do this? Or you were like, I want to do a podcast. I want to talk about people's fail. I'm intrigued by this. Do you think of something in your own life?

[37:06.20 - 37:15.34]

Like, is there a one? I mean, obviously, our careers are, there's so many, but, like, is there a particular thing that you think about?

2
Speaker 2
[37:15.56 - 37:55.64]

Well, for me it was, there was particular things, and, and I speak about them, I think sometimes on it, but for me, it was more of this pervasive, just the feeling, just like a general feeling, of failing, in the sense of going from inspiration to execution. There was always this high of, Oh my God, I've got this inspiration for whatever it is, a character or book. And now I'm off on this road to make it real, put it in a form that I can share with other people. And, and immediately, I mean, there's just never a direct translation. We have to go through words.

[37:55.74 - 38:14.00]

We have to go through collaborating with other people. There's, and that kind of failure is also beautiful. So it's not like this ugly failure, right? It's also the failure of needing other people, you know, of not being able to do it alone. And that's what we're in a lot in our, you know, artistic endeavors.

[38:14.00 - 38:46.06]

If you're not, you know, a painter who just paints alone, or, or whatever, the solitary creative arts, and then just having to use language. I'm just very, very sensitive to the fact that these are just approximations for an interior landscape that has no words. really, you know, we're just kind of, we're kind of like agreeing to bullshit one another that we're actually communicating, you know, our feelings and reality. When, in fact, the words themselves have a certain kind of reality, that we're keep on bandying back and forth.

1
Speaker 1
[38:47.02 - 39:05.14]

So we're not, not necessarily the, the feeling of failure from like what throwing out the first pitch at a Dodgers game. It can certainly be that. I mean, it could be that that's, yeah. That's just so public, but also like the mini failure that just like the feeling of failure.

2
Speaker 2
[39:05.56 - 39:15.42]

Yeah. When you could even, even take it back to like original sin or something, you know, there's just like, why, what is that feeling? What, what is the,

[39:18.48 - 39:27.34]

what is, what is useful about that feeling? Cause I had somebody say, well, I don't call it failure. I call it feedback. And I was like, well, you're the only one. You're the only one.

[39:30.02 - 39:46.28]

But, you know, if you could do that, that'd be fantastic. You know, it's like how, and also some failures are tougher to bounce back from than others. You know, some, some need grieving, some, some, you need to grieve. You can't just go, you know, pick myself up and dust myself off and just keep on moving.

1
Speaker 1
[39:46.64 - 39:48.04]

Yeah. That's never true.

2
Speaker 2
[39:48.42 - 39:49.34]

Knock you on your ass.

1
Speaker 1
[39:49.90 - 40:19.66]

When people say that, I feel like it's, or maybe it is true, but I feel like there's a much longer process of like, although we don't, I like what you're doing. I think it's really important because, as we were alluding to, there's a real hesitance to talk about hardship and failure here. Everybody wants to talk about winners. It's hard to talk. It's hard to speak honestly.

[40:20.32 - 40:29.86]

It's also initial. It's also additionally challenging. I think, to talk about failure when you've had great success.

2
Speaker 2
[40:30.38 - 40:39.04]

Right. Well, yeah. People say, what, what are you doing? talking about this? You know, like easy for you to talk about these failures, because generally you have had a happy ending.

[40:39.44 - 41:05.44]

Yes. So guilty, whatever. I mean, I, I can only speak from, from where I speak from, from myself. So this is something that interests me, you know, and I, I'm very interested in shame around failure and shame in general, you know, shame as being such a limiting, you know, I'm looking for like the evolutionary, positive nature of shame. And when I, when I look at it, I say, okay, well, we do have to all live together.

[41:05.60 - 41:34.98]

So there are some acts that we decide, that you got to get kicked out of the, the herd now, because you've done, or at least you have to show the herd that you get it, you know? So, okay. I get, I get shame in that way, but you know, we live, I think we live with so much shame over, over so many things in our lives. And I think some of that has to do with the feelings of failure, or, you know, shame around failure and things like that. So I'm just like, I don't know what I'm doing.

[41:34.98 - 41:38.14]

I'm just trying to have conversations, you know, I'm no expert.

1
Speaker 1
[41:39.34 - 41:54.02]

I, I like that. I think about shame a lot too. And like, just kind of throwing off the yoke of shame is very difficult. It can be very difficult. That's a really hard one for people.

2
Speaker 2
[41:55.22 - 42:02.48]

It's also, you're in the public eye, you know? So it just seems multiplied when, when that's happening or,

1
Speaker 1
[42:04.08 - 42:19.36]

well, also because people want to reach out and they want to put shame on you, you know, like very actively want you, want you to feel ashamed or they want to like share their own feeling of shame with you and really spread it around.

2
Speaker 2
[42:20.42 - 42:21.78]

You have to be very,

1
Speaker 1
[42:22.76 - 42:29.14]

you have to be pretty careful with your own heart and your mind. Try to stay strong, but you're going to feel it. It goes in.

2
Speaker 2
[42:29.90 - 42:37.44]

You just have to. It's such a hard feeling. It's a hard feeling to deal with. I mean, guilt is one thing, I guess, but shame is another.

1
Speaker 1
[42:37.44 - 42:39.60]

Shame is another. Shame is another.

2
Speaker 2
[42:39.84 - 42:53.44]

Shame is more of like a, it's like your being. Guilt is over. Maybe something you did, something you said is an action that you can maybe apologize for, seek forgiveness, atone for whatever. But shame is more like you are bad.

1
Speaker 1
[42:54.50 - 43:03.48]

You are just overall bad. Look at you repeating these choices. Like what? Look at you with these patterns.

2
Speaker 2
[43:03.48 - 43:06.48]

Did you even think about what you were going to order for dinner? How shameful.

1
Speaker 1
[43:07.20 - 43:13.48]

How shameful. How shameful. You just sitting in a cold room, eating a brick of lo mein.

2
Speaker 2
[43:14.98 - 43:17.22]

I've done it. I can see it.

1
Speaker 1
[43:18.36 - 43:19.94]

I think it's very convenient.

2
Speaker 2
[43:20.72 - 43:22.00]

It is convenient.

1
Speaker 1
[43:22.24 - 43:25.30]

You just slice it into little quadrants.

2
Speaker 2
[43:25.82 - 43:28.10]

Yeah. A cube. A cube for.

1
Speaker 1
[43:28.68 - 43:29.74]

Nutrition cubes.

2
Speaker 2
[43:29.94 - 43:31.66]

In my lunchbox. There's a cube.

1
Speaker 1
[43:32.72 - 43:44.46]

Why did you, tell me about why you decided to start directing. I feel like that is. That is next level organization. Next level decision making.

2
Speaker 2
[43:45.82 - 43:49.30]

Oh, no. No. See, here's the great thing about directing is.

1
Speaker 1
[43:49.58 - 43:50.08]

Tell me.

2
Speaker 2
[43:50.46 - 43:59.02]

Yeah. I feel like you'll have to direct at some point very soon. Like tomorrow. We'll get into that when you come on my podcast.

1
Speaker 1
[43:59.62 - 43:59.86]

Yes.

2
Speaker 2
[44:00.34 - 44:23.12]

Before I directed my first film, 20 years ago or whatever, I read a book by Walter Murch, who was a brilliant editor. He edited all those 70s movies that you love. And he became a director himself. But he said, because when I was prepping this movie, like you just said, I was thinking, I've got to make a million decisions. This is not my best strength here.

[44:23.94 - 44:38.12]

I've got to know everything. And then I read this quote from Murch where he said, the director is the immune system of the film. And I realized, all I have to do is stand like a hockey goalie. You're Canadian. I'll try and make this.

[44:38.20 - 44:40.18]

I'll talk about this in ways that you can understand.

1
Speaker 1
[44:40.46 - 44:41.36]

Now I understand. Now I comprehend.

2
Speaker 2
[44:41.88 - 44:57.54]

And everybody working on the film has got a puck that they want to put in the goal. Like production, designer, actors, the writer. And it's just my job to go, good idea, pass. Bad idea, stop. I'm protecting the health of the movie.

[44:57.54 - 45:03.68]

But all I need to say is yes and no. I don't need to know it. I just need to have my gut to say yes and no.

1
Speaker 1
[45:04.58 - 45:11.44]

I think that's good. So you're more a curator of other people's thoughts and ideas.

2
Speaker 2
[45:11.88 - 45:18.70]

If you hire correctly. If you have the balls to hire people that are better than you at those things that you do.

1
Speaker 1
[45:20.30 - 45:25.66]

I like to surround myself with people who are much better than me at everything. Do you do that?

2
Speaker 2
[45:25.66 - 45:29.42]

I want to, you know.

[45:31.48 - 45:40.06]

Yeah, I don't know. I think it's a good trait in somebody. It's a very strong trait. I don't know if I have it, but I fantasize that I have it.

1
Speaker 1
[45:40.60 - 45:46.48]

Are you good at knowing what you don't know and being willing to admit it?

2
Speaker 2
[45:46.86 - 45:47.24]

Oh yeah.

1
Speaker 1
[45:47.80 - 45:48.46]

That's good.

2
Speaker 2
[45:48.66 - 45:51.30]

Yeah, I don't mind being wrong. I can be wrong.

1
Speaker 1
[45:52.04 - 46:06.10]

I read that you consider yourself a lazy vegetarian. Are you still a lazy vegetarian? You read a book. You read Diet for a New America in college and it changed your life.

2
Speaker 2
[46:06.46 - 46:06.92]

Yeah, it did.

1
Speaker 1
[46:07.18 - 46:13.28]

How did it change your life? Because I just talked to Nick Offerman and we talked all about where food comes from.

2
Speaker 2
[46:13.76 - 46:14.42]

Well, that was it.

1
Speaker 1
[46:14.90 - 46:16.30]

I'm so curious.

2
Speaker 2
[46:16.72 - 46:38.98]

It was the suffering of the animals that really got to me. Right. I look around at the world and I see it as dog-eat-dog. It's clear to me that most life goes on by ingesting other life, whether it's plant or animal. Obviously, that's the way it goes.

[46:39.10 - 47:01.84]

That's the way it got set up by whoever set it up, or whatever set it up. So, until we transplant our consciousness into AIs that don't need to eat, we're going to be stuck in this position. Right. So, I'm not against people. I don't think it's morally wrong to eat living things.

[47:01.84 - 47:15.88]

I felt the suffering and the hardship that we put these very intelligent animals through. I just couldn't stomach it, literally.

[47:17.50 - 47:23.44]

Of course, that revelation got weaker and weaker as I got older and I got lazy.

[47:25.28 - 48:03.44]

But I think in the future, I've often had this thought. where we go, we've kind of had this rage of holding artists from other generations morally to our standards. It's very tough, very difficult to ask people from the 19th century to adhere to what we believe in. But I've often thought that it's possible that in the future they might say, yes, Samantha Bee, she was brilliant, but she was a meat eater. She ate meat.

1
Speaker 1
[48:03.76 - 48:05.20]

She talked about it openly.

2
Speaker 2
[48:05.72 - 48:12.80]

We can't look at her stuff, because all I see is the blood coming out of her mouth.

1
Speaker 1
[48:14.04 - 48:16.20]

She constantly smelled like sausage.

?
Unknown Speaker
[48:16.56 - 48:17.68]

I'm sure of it.

2
Speaker 2
[48:18.70 - 48:21.64]

And I don't think that's too far-fetched. I think it's a possibility.

1
Speaker 1
[48:23.10 - 48:30.74]

I do think people would become more sweet-smelling in the future. Never mind. I retract that statement. They won't.

[48:32.30 - 48:38.94]

But there is, I've definitely meet, because, you know, my world of just talking to so many political people.

2
Speaker 2
[48:39.24 - 48:39.48]

Yeah.

1
Speaker 1
[48:39.68 - 48:59.46]

And I've met so many of them who are like, I only eat meat. I only eat hard sausages once every two days. Like they're just so, their world is so like, I work constantly for 27 hours. Then I take a sausage break. Then I sleep for four days.

[48:59.64 - 49:03.86]

And then I wake up and I do it all again. And you're like, no wonder we're.

2
Speaker 2
[49:04.12 - 49:04.80]

You're a bear.

1
Speaker 1
[49:05.38 - 49:07.06]

You're just a gross.

2
Speaker 2
[49:07.34 - 49:20.82]

I think, you know, it's just hard to, it's hard to brood on the suffering of the world. I mean, there's enough suffering of humans and we as humans tend to think we give such.

[49:25.32 - 49:32.84]

What's the word? Emphasis on human suffering like that. Right. That's what we should be thinking about. Only human suffering.

[49:33.50 - 49:41.12]

But if you were to open yourself up to the animal suffering and what we're doing to the planet and all that stuff, it's just, it's, it's impossible.

1
Speaker 1
[49:41.84 - 49:41.98]

Right.

2
Speaker 2
[49:42.44 - 49:44.20]

It's paralyzing.

1
Speaker 1
[49:44.20 - 49:48.06]

It's so much grief. So you just carve out your little slice of it.

2
Speaker 2
[49:48.14 - 49:51.24]

We're going to win. We're going to win. Hooray!

1
Speaker 1
[49:53.16 - 49:54.66]

Okay. Before. Okay.

2
Speaker 2
[49:55.02 - 49:55.28]

What.

1
Speaker 1
[49:56.00 - 50:07.82]

You do literally do so many different artistic things. We've talked about your impulsiveness. Yeah. And how there's no like 10 year plan. And how really could there be?

[50:08.00 - 50:17.02]

Because things happen and things change, and things like intrigue you all the time. What outside of your creative world is like gripping you?

2
Speaker 2
[50:21.22 - 50:29.42]

See, I don't know. I'm really bad at hobbies. I'm just super. I feel bad about that. I feel guilty about not having a hobby.

[50:29.54 - 50:41.04]

I mean, you know, the music was supposed to be a hobby. And then I started being an idiot and recording, you know, songs like, you know, sharing with other people. Yeah. So I don't know. I, what, what do I enjoy?

[50:41.04 - 50:48.96]

I mean, I enjoy, you know, I like to keep moving. I like being athletic, in whatever ways I can still be.

1
Speaker 1
[50:50.48 - 50:54.70]

You've had to cut your sleeves off your shirt. You're working out so much.

2
Speaker 2
[50:55.02 - 50:57.54]

I'm so big. I'm like the Hulk. I'm like the Hulk.

1
Speaker 1
[50:58.64 - 51:08.52]

I would just have laughed so hard if you were like, I'm just really into competitive bodybuilding now. I had to get all new shirts.

2
Speaker 2
[51:08.52 - 51:16.06]

I am. And it's not even the muscles that I like. It's more of the color that I get, that deep orange.

1
Speaker 1
[51:16.68 - 51:24.16]

Well, that's why you have a high quality girlfriend. She comes with the roller brush. Yeah. Paints you orange and glosses you.

2
Speaker 2
[51:24.48 - 51:25.48]

Make me shiny.

1
Speaker 1
[51:25.84 - 51:35.18]

Make you shiny. Don't drink water for three days and then you just go flex on a stage. That's a sport. In Bulgaria or wherever. It's a sport.

[51:35.40 - 51:36.02]

I don't know.

2
Speaker 2
[51:36.56 - 51:36.82]

Yeah.

1
Speaker 1
[51:38.04 - 51:43.24]

Okay. I'm so thankful that you said yes to me and that you talked to me today.

2
Speaker 2
[51:43.30 - 51:59.18]

I'll say yes to you anytime, anywhere. And I want to just plug one thing. Oh, please. My movie that I directed, Bucky fucking Dent, from my novel, is coming out in June. And it's a small, independent film.

[51:59.58 - 52:13.38]

It's not going to have a lot of money for advertising. It's only going to have me flapping my gums wherever I can. Yes. But I'm really proud of it. I'm really happy with it.

[52:13.72 - 52:16.68]

And I really hope that some people can see it.

1
Speaker 1
[52:17.02 - 52:34.34]

Okay. We need to go see Bucky fucking Dent. You know what? We need to, just like, writ large, need to support independent cinema, because it's critical. There's just too many conglomerates making content.

[52:35.04 - 52:45.98]

And if we want interesting stories, actually, it's our job as consumers to explore smaller scale storytelling.

2
Speaker 2
[52:47.06 - 53:05.42]

I mean, it's smaller scale, but it's like the ideas can be big in a small movie. And that's what I think we've kind of forgotten, that we think these movies have to look so big in order to be big.

1
Speaker 1
[53:06.18 - 53:19.00]

I wish they would just take the budget of one. I mean, a lot of people are saying this now, but I do have felt it forever. Take the budget of one superhero movie and make 50 independent movies.

2
Speaker 2
[53:19.24 - 53:24.64]

Yeah. Yeah. If the head of Warner Brothers did that, that would be a real interesting move, wouldn't it?

1
Speaker 1
[53:24.96 - 53:41.56]

It would be a very interesting move. It would be the correct move. It's like building... People crave stories. They don't crave movies written by eight different people and an AI bot.

[53:41.74 - 53:44.54]

They really don't, in my opinion.

2
Speaker 2
[53:45.76 - 53:46.54]

I agree.

1
Speaker 1
[53:46.98 - 53:49.56]

Thank you so much. Bucky, fucking Dent. All right.

2
Speaker 2
[53:49.62 - 53:50.92]

Yeah, there you go.

1
Speaker 1
[53:51.04 - 53:52.54]

This was awesome. Have a great day.

2
Speaker 2
[53:52.58 - 53:53.18]

Nice to see you again.

1
Speaker 1
[53:53.42 - 53:54.98]

So nice. Always a pleasure.

[54:00.34 - 54:24.62]

That was David Duchovny, and I had no choice but to look up one thing. He mentioned tall poppy syndrome, and it turns out that is a saying from Australia and New, Zealand, referring to criticizing people who might be seen as too successful, like taking them down a peg, but more beautiful and pastoral. As always, there's more choice. words on Lemonada. Premium.

[54:25.12 - 54:33.70]

Subscribers get exclusive access to bonus content like a special outtake from this very interview. Subscribe now in Apple Podcasts.

[54:46.46 - 55:01.10]

Thank you for listening to Choice Words, which was created by and is hosted by me. We're a production of Lemonada Media. Catherine Barnes, Svea Baron-Reinstein, and Chrissy Pease produce our show. Our mix is by James Barber. Steve Nelson is the vice president of weekly content.

[55:01.42 - 55:17.82]

Jessica Cordova-Kramer, Stephanie Whittles-Wax, and I are executive producers. Our theme was composed by Scylla Shaman with help from Johnny Vince Evans. You can find me on Twitter at ScyllaShaman. You can find me at Real Sam Bee on Twitter and Instagram. Follow Choice Words wherever you get your podcasts or listen ad-free on Amazon Music with your Prime membership.

2
Speaker 2
[55:28.00 - 55:47.50]

I'm Sam Smith, and welcome to the Pink House. I love being in the Pink House with you. Join me as I talk to my friends and some amazing queer icons about their idea of home, like Elliot Page, Joel Kim Booster, and Gloria Estefan. Music was always my escape. It was my happy place.

[55:48.24 - 55:56.34]

The Pink House from Lemonada Media is out. now. You can listen ad-free on Amazon Music or wherever you get your podcasts.

1
Speaker 1
[56:00.62 - 56:28.06]

Get ready to dive into some of the funniest podcasts around with Lemonada Media's comedy lineup. You can enjoy Choice Words with Samantha Bee as she laughs along with guests while they talk about their sometimes questionable life decisions. Or listen in as Sarah Silverman answers unpredictable voicemails from her fans on the Sarah Silverman podcast. And don't miss Threedom, where Scott Aukerman, Paula Tompkins, and Lauren Lapkus hang out, tell stories about each other, and see who can make the other two laugh the most. And the best part?

[56:28.38 - 56:32.56]

You can listen to all of these podcasts and more from Lemonada Media on Amazon Music.

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